Colloquy issue twenty-two
General Article
Fearful Symmetry: Technophilia and the Science Fiction Cyborg in J. G. Ballard’s and David Cronenberg’s Crash 
Sean McQueen
Collaborations in Modern and Postmodern Visual Art
Introduction: Love and Pain and the Whole Damn Thing: Collaboration as Biography Janine Burke
Collaborations in Modern and Postmodern Visual Art: An Overview Lynda Chapple
Retrospective Lyndell Brown and Charles Green
Two Homes Kate Daw and Stewart Russell
“There must be a salon of realists…”: Action and Collaboration in Edgar Degas’ Avant-gardism Roberta Crisci-Richardson
Monet's “Angel”: The Artistic Partnership of Claude Monet and Blanche Hoschedé-Monet Janine Burke
Picasso and Stravinsky: Notes on the Road from Friendship to Collaboration Carina Nandlal
The Spirit of Collaboration: Gino Severini, Jacques Maritain, Anton Luigi Gajoni and the Roman Mosaicists Justine Grace
From Tenth Street to Studio 54: On the Social Life of Creatives Eduardo de la Fuente
Combination, Collaboration and Creation: The Case of Jasper Johns Peter Murphy
Human and Non-Human Telepathic Collaborations from Fluxus to Now Jacquelene Drinkall
Performance Art Collaborations (with Notes on Video, Installation and Conceptual Art) Anne Marsh
The Emergence of Black Art in Britain Leslie Morgan
Artistic Tension Adrian Martin
Working (with) the Dead: Agency and its Absence in the Use of the Found Image Andrew Dearman
Meridians: Engagement and Collaboration in Physical and Virtual Public Space Clare Leporati
Collaborative Viewpoints: The Writing of Impossible Descriptions Ann Schilo and Anna Sabadini
Translation
Three Spanish Golden Age Sonnets Jorge Salavert