MA and PhD theses Completed in Film & TV StudiesCulture

PhD

Biswas, Moinak. Historical Realism: Modes of Modernity in Indian Cinema 1940-60 [2003].
Cooper, Ross. Themes and Attitudes in Selected Australian feature Films 1913-1929 [1990].
Coughlin, Paul. The Same Old Song: Ironic Revisions in the Films of Joel and Ethan Cohen [2004].
Hildebrandt, Melinda. Strands of Realism: The Instructional, the narrative and the poetic in British Cinema, 1929-2003 [2004].
Jones, Graham. Gilles Deleuze's pre-1968 Work [2004].
Murphy, Sara. A Psychology of Cinema: A Viewer Centred Approach[1991].
Ning, Ma. Culture and Politics in Chinese Film Melodrama: Traditional Sacred, Moral Economy and the Xie Jin Mode [1991].
Pathiraja, Dharmasena. The Dialectic of Region and Nation in the Films of Bengali Independents: Ghatak, Ray and Sen [2001].
Smaill, Belinda. Amidst a Nation's Cultures: Documentary and Australia's Special Broadcasting Service Television [2002].
Speed, Lesley. Spectacle and Utopia in the American Teen Comedy[1996].
Winnett, Francine. Myths of the Beach: A Coastal Sense of Place in Australian Film and Television [2003].

Athan, Melissa. Control I'm Here [1994].
Borg, Angela. Camp Performance in Film and Theory [1996].
Kelly, Paula. The Years My Voice Broke: The Films of Nick Broomfield [2001].
Liyanage, Cyril. Three Films by Nagisa Oshima: The Boy; The Ceremony; Dear Summer Sister [1982].
Nguyen, Uyen. Orientalist Visuality in a Postcolonial Context [2003]