Digital enhancement of rock art
This research employs digital enhancement techniques to reveal previously unknown rock art images. Research has focused on the rock art of various Australian Aboriginal communities and Torres Strait.
- 2005 by B. DAVID. Rock art and oral traditions in Torres Strait. The Courier Mail 3 May, p. Headst@rt 3.
- 2004 by B. DAVID. Bruno David's tips to see the invisible. In H. Burke and C. Smith, The Archaeologist's Field Handbook, pp. 224-225. Allen & Unwin, Crows Nest.
- 2004 by I. McNiven, B. DAVID, L. Brady & J. Brayer. Kabadul Kula rock-art site, Dauan Island, Torres Strait. In I. McNiven & M. Quinnell (eds),Torres Strait: archaeology and material culture. Special Issue of Memoirs of the Queensland Museum, Cultural Heritage Series 3(1): 227-255.
- 2004 by L. Brady, B. DAVID, L. Manas, Mualgal (Torres Strait Islanders) Corporation, I. McNiven. Rock paintings of Mua Island: initial results from western Torres Strait. Rock Art Research 21(1): 27-46.
- 2004 by B. DAVID, I. McNiven, L. Manas, J. Manas, S. Savage, J. Crouch, G. Neliman & L. Brady. Goba of Mua: archaeology working with oral tradition.Antiquity 78: 158-172.
- 2003 by L.M. Brady, B. DAVID, L. Manas & the Mualgal (Torres Strait Islanders) Corporation. Community archaeology and oral tradition: commemorating and teaching cultural awareness on Mua Island, Torres Strait. TheAustralian Journal of Indigenous Education 31: 41-49.
- 2003 by B. DAVID, I. McNiven & J. Brayer. Colourful past. British Archaeology 73: 14-15.
- 2002 by I. McNiven, B. DAVID & L. Brady. Torres Strait rock-art: an enhanced perspective. Australian Aboriginal Studies 2002 (2): 69-74.
- 2001 by B. DAVID, J. Brayer, I. McNiven & Alan Watchman. Why digital enhancement of rock paintings works: rescaling and saturating colours.Antiquity 75: 781-792.
- 2000 by I. McNiven, B. DAVID & J. Brayer. Digital enhancement of Torres Strait rock-art. Antiquity 74: 759-760.
- 1998 by J. Brayer, H. Walt & B. DAVID. A quantitative assessment of freehand drawing and some suggestions for its improvement as a rock art recording method. In M.S. de Abreu (ed.), Congresso International de Arte Rupestre: Atravessando Fronteiras. Programa Official, p. 30. University of Tras-os-Montes and Alto Douro, Vila Real.