Program
Refashioning the Classics: modern fabrications of the ancient world
Provisional Panels
This program is also available in pdf (acrobat) format here.
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1) 9.30-11.15 |
Staging the Past |
The Space is the Show: Spatial Poetics as Reception of Greek Tragedy
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The Emotion of Multitude: The Greek Chorus on the Modern Stage
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Adolescent Pastoral and the Golden Age in Act I of The Lost Echo’
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Humour, Metafiction and the Frogs: Aristophanes and the Tradition of Self-conscious Literature
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2) 11.45-1.15 |
Playing with Bodies |
Playing Clytemnestra and the Forgotten Body Meredith Rogers |
Seneca in the Flesh
Helen Slaney |
Fleshing out the Gaps: Staging Sappho
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3) 2.15-3.45 |
Politics |
Fear and Greed under Pax Romana
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Greek Tragedy and Political Reflection
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The Legacy of George Grote's Reconstruction of Athenian Democracy
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4) 4.15-5.30 |
Edge of Empire |
'Hobart's Very Own Parthenon': Lady Jane Franklin's Ancanthe
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On the Unimportance of Oscar Wilde
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Professor Simon Goldhill (University of Cambridge): The Audience on Stage in Sophocles |
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6) 9.30-11.00 |
Retelling Homer |
Charybdis, Circe, Scylla and Sam Newman: gender wars in Odyssey XII
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The Ruins of Apollo's City: Wolfgang Petersen's 'Troy' and the Crisis of Western Civilization
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Penelope Speaks
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7) 11.30-1.00 |
Medea |
Ernest Legouvé's Medea and the Ghost of Frances Knorr |
Medea in Gabon
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Exploring Medea as Political Actress
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8) 2.00-3.30 |
The ancient and the novel |
A City Famed Through the World’: Pompeii in 20th & 21st Century Fiction.
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Grandia Consumpsit Moenia Tempus Edax: Decline and Fall of the Roman Empire in XX Century Historical Fiction.
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The Modern Labyrinth:
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9) 4.00-5.30 |
Education and the Classics |
My First Book of Greek Myths:
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Latin for the Very Young
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Classics at the Crossroads
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