Dr Ann Vickery - Publications
Books
- Vickery, Ann, Maryanne Dever, and Sally Newman. The Intimate Archive: Journeys through Private Papers (Canberra: National Library of Australia, under contract, forthcoming September 2008).
- Vickery, Ann. Stressing the Modern: Cultural Politics in Australian Women's Poetry (Cambridge, UK: Salt, in press, forthcoming June 2007).
- Leaving Lines of Gender: A Feminist Genealogy of Language Writing (Hanover and London: Wesleyan UP, 2000).
Cited in introduction to the special issue of Differences: A Journal of Feminist Cultural Studies (Summer 2001), “After Patriarchal Poetry: Feminism and the Contemporary Avant-Garde.” Also cited in Linda A. Kinnahan, Lyric Interventions: Feminism, Experimental Poetry, and Contemporary Discourse (Uni of Iowa Press, 2004) and Elisabeth A Frost, The Feminist Avant-Garde in American Poetry (Uni of Iowa Press, 2003). Reviewed positively in Sagetrieb 19.3 (2006), Verse 19.1-2 (2003), American Literature 74.2 (2002); Contemporary Literature 43.3 (2002); and Jacket (Summer 2002).
Articles
- “The Rise of 'Women's Poetry' in the 1970s: An Initial Survey into New Australian Poetry, the Women's Movement, and a Matrix of Revolutions,” Australian Feminist Studies 22.53 (July 2007): 269-89.
- “'A Mobile Fiction': Barbara Guest and Modern Pastoral,” TriQuarterly, 116 (Fall 2003): 245-60.
- “A 'Lonely Crossing': Approaching Nineteenth-Century Australian Women's Poetry,” Victorian Poetry 40.1 (Spring 2002): 33-53.
- “Shifting Homeland: Viewing the Post-Pastoral Subject in John Kinsella's The Radnoti Poems,” Sulfur 44 (Spring 1999): 177-88.
- Rpt. in Fairly Obsessive: The Works of John Kinsella. Ed. Rod Mengham and Glen Phillips. North Fremantle: Fremantle Arts Centre Press, 2000. 176-93.
- “Finding Grace: Modernity and the Ineffable in the Poetry of Rae Armantrout and Fanny Howe,” Revista Canaria de Estudios Ingleses 37 (1998): 143-64.
- Revised and rpt. in “A Wild Salience”: The Writing of Rae Armantrout. Ed. Tom Beckett. Cleveland, OH: Burning Press, 2000. 55-74.
- “The Quiet Rupture: Susan Howe's The Liberties and the Feminine Marginalia of Literary History.” Southerly 57.1 (Autumn 1997): 91-102.
- “Beyond Strictly Verse and Pulp Diction: Approaching a Postmodern Poetics in Australian Writing via some Language Poetry Shortcuts.” Salt 9 (1996): 126-150.
Chapters
- “Bourdieu at Balmain, or A Few Field Notes on John Tranter and Contemporary Australian Poetry,” The Salt Companion to John Tranter. Ed. Rod Mengham. Cambridge, UK: Salt, in press.
- “From Being Drafted to a Draft of Being: Rachel Blau DuPlessis and the Reconceptualisation of the Feminist Avant-Garde,” Avant-Post: The Viability of the Avant-Garde in “Post” Conditions, ed. Louis Armand. Prague: Litteraria Pragensia, 2006. 133-59.
- “John Kinsella,” Dictionary of Literary Biography. Australian Literature 1975-2000, Vol. 325. Ed. Selina Samuels. Detroit: Gale, 2006. 186-95.
- “From 'Girl-Gladness' to 'Honied Madness': Pleasure and the Girl in the Poetry of Zora Cross.” Australian Literary Studies in the 21st Century: Proceedings of the Association for the Study of Australian Literature Twenty-Second Annual Conference. Ed. Philip Mead. Melbourne: Association for the Study of Australian Literature, 2001. 219-26.
- “Anna Wickham.” Dictionary of Literary Biography. Vol. 240. Late Nineteenth- and Early Twentieth-Century Women Poets. Ed. William B. Thesing. Detroit: Gale, 2001. 345-51.
- “Ready-Made Dissidence? The Figure of the Factory Girl in Modern Australian Poetry,” Australian Writing and the City: Proceedings of the Association for the Study of Australian Literature Twenty-First Annual Conference. Ed. Fran de Groen and Ken Stewart. Sydney: Association for the Study of Australian Literature, 2000. 46-53.
- “Screen Memories: Challenging Cultures of Viewing in John Kinsella's Full Fathom Five.” Fairly Obsessive: The Works of John Kinsella. Ed. Rod Mengham and Glen Phillips. North Fremantle: Fremantle Arts Centre Press, 2000. 67-88.
- “Between a Modernist Passport and House Arrest: Anna Wickham and the Question of Cultural Identity.” Soundings: Poetry and Poetics. Ed. Lyn Jacobs and Jeri Kroll (Kent Town, SA: Wakefield Press, 1998): 26-36.
- “Gender Formations on the Internet,” Poetics@ ed. Joel Kuszai. New York: Roof, 1999, 120-21.
- “Rae Armantrout.” Dictionary of Literary Biography. Vol. 193. American Poets Since World War II. Ed. Joseph Conte. Detroit: Gale Publications, 1998. 10-20.
- “Poetic Form and Cultural Politics: Protean Linkages between Language Poetry and Feminist Critique.” The Space of Poetry: Australian Essays on Contemporary Poetics. Eds. Lyn McCredden and Stephanie Trigg. Melbourne University Literary and Cultural Studies, Vol 3. (Parkville: University of Melbourne, 1996) 13-28.
Reviews
- “Blue Studios: Poetry and Its Cultural Work. By Rachel Blau DuPlessis.” Signs: Journal of Women in Culture and Society, forthcoming late 2007.
- “Barbara Guest's The Red Gaze,”HOW2 2.1 (2006): n.pag.
- “Discordant Tones: Judith Beveridge's Wolf Notes,” Australian Women's Book Review 16.1 (2004).
- Rev. of Metre: A Magazine of International Poetry. Australian Book Review 196 (November 1997): 58.